![gay pride songs 2011 gay pride songs 2011](https://media.paperblog.fr/i/462/4620267/gay-pride-2011-derniere-avant-vote-2012-L-GWmauP.jpeg)
#GAY PRIDE SONGS 2011 SKIN#
It’s a leering come-on from a mature male who’s happy in his own skin (entirely at odds to the way Grant felt about himself for most of his life) to a younger, prettier, self-obsessed man. “Snug Slacks” is sleazy dance music that makes no bones about the sexual predilections of its singer. It’s a wonder John Grant is producing music at all, let alone receiving such critical acclaim for it. In 2011, he discovered he was HIV positive. His religious parents thought he needed to be “fixed,” he developed an anxiety disorder after facing homophobic bullying during his youth, and he battled with drug and alcohol abuse. “If these fucking people want to give me some power-if they see me as some sea witch with penis tentacles that are always prodding and poking and seeking to convert the muggles-well, here she comes.” –Jenn Pelly “I sometimes see faces of blank fear when I walk by,” Hadreas has said of the song. It is the sound of defiantly being femme in public, and it immediately topped the pantheon of Hadreas’ best songs. This refrain cleverly, thrillingly skewered the very notions of gay panic and “family values,” making “Queen” a classic upon arrival. In seven words, within a slowly-churning glam-pop daydream, he wrote a generation-defining anthem and sang it resiliently: “No family is safe/When I sashay.” Peterson,” in which told the devastating tale of a troubled teacher who “let me smoke weed in his truck/if I could convince him I loved him enough.” On “Queen,” Hadreas channeled a lifetime of cold stares from strangers and draped them in sheets of glitter. Mike Hadreas had already emerged as a powerful queer voice in music by the time of 2014’s Too Bright-not least for his tearful 2010 ballad “Mr. Listen: Against Me!, “True Trans Soul Rebel”
![gay pride songs 2011 gay pride songs 2011](https://static.timesofisrael.com/www/uploads/2020/06/AP_20148393074307-e1591209457791-400x250.jpg)
Love wages a constant battle with our worse angels, and it’s inspiring to hear Grace’s tale from the frontlines. Out of this despair comes one of the best hooks of the decade: “Who’s gonna take you home tonight?” It is a rebuke and a catharsis, a whisper and a scream, all surrounded by huge guitars and drums trying to bring down an arena. She squares off against God and asks who blesses the unchanging hearts of trans men and women. On Grace’s ode to outcasts, “True Trans Soul Rebel,” self-love mutates into fear, doubt, loneliness, and anger. The tone of the album ranges anywhere from black to pitch black. The album is often her in the throes of depression, alone, on some godforsaken frontier she screams about the rapture of self-acceptance into the black void of a world who views her as a stranger. When Against Me! lead singer Laura Jane Grace came out as trans in 2012, she wrote an album of diamond-sharp punk songs to carve her emotional process into stone. And it’s that cherishing of that gap between anticipation and release-asking to be closer, not touching cherishing the moment before you realize you’re in too deep-that seems to speak to that particularly queer feeling of wanting something you know you may never get. It’s a love song that conjures adolescent longing, no matter how old you are, with impossibly catchy, cleverly rhyming lyrics. “Closer” is a song about the anticipation before the kiss, before anything gets physical. Written by Tegan, “Closer” combines nostalgic emo and pop-punk notes with an unrepentant four-to-the-floor beat, making it work both as a dancefloor-filler and as music to make out to (or just fantasize about making out to). But it was 2013’s Heartthrob-and specifically its lead single, “Closer”-that provided audiences with a timeless queer anthem, as well as the duo’s first U.S. Tegan and Sara are already an iconic singer-songwriter duo-not just charismatic and Canadian but out, and lesbian, and twins! with impeccable haircuts!-and they had been indie stars since 2007’s The Con, a collection of alternatively dark and melancholy pop-folk.